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In Bruce Willis CIA flick, 'The gags fly as fast and as furious as the bullets,' critic says.
By Eric Ditzian
Bruce Willis, John Malkovich and Helen Mirren in "Red"
Photo: Summit Entertainment
This weekend, a film featuring a bunch of over-the-hill heroes performing death-defying stunts will hit theaters. I'm talking, of course, about "Red" — not Johnny Knoxville's "Jackass 3D."
"Red" stars Bruce Willis, Morgan Freeman, Helen Mirren and John Malkovich as retired CIA black-ops who get pulled back into a life peppered with machine-gun fire and warmed by explosions galore. It's first-rate material, though it doesn't seem Willis and his cohorts will be able to defeat the "Jackass" crew at the box office.
That's not to say "Red" isn't winning plaudits from critics. Reviews thus far have been largely positive. Here's what folks are saying:
The Story
"A typically amiable Bruce Willis leads the charge as ex-agent Frank Moses, whose quiet suburban home is ambushed out of the blue. Turns out, Frank and his former colleagues ([Helen] Mirren, Morgan Freeman and John Malkovich) are all on a hit list. ... Like the others, Frank is happy in retirement and just wants a low-key life, with a low-key girlfriend (Mary-Louise Parker). But once a CIA hotshot (Karl Urban) is also assigned to 'silence' them, he and his partners find themselves back at work — and realize just how much they've missed it." — Elizabeth Weitzman, New York Daily News
The Performances
"Willis and Parker, whose eyes burn like black cinders, work up a fine, fiery chemistry; Malkovich recalls his similarly unhinged human time bomb in 'Burn After Reading' as a man haunted by the sins of the CIA's past; and Mirren, looking sensational as always, tucks into her role with winking relish. ('I kill people, dear,' she confides sweetly to Sarah when they meet; later, during a stakeout with a high-powered rifle, they commiserate about guys as if they were getting a mani-pedi.)" — Ann Hornaday, The Washington Post
The Action & The Laughs
"Wackiness ensues, and the gags fly as fast and as furious as the bullets — and there are plenty of those. Part of the fun of action movies is that they are inherently silly; the key is hitting the right notes without going too far, something that recent releases such as 'The Losers' and 'The A-Team' failed to do. Screenwriters Jon and Erich Hoeber know this. They and director Robert Schwentke strike a careful balance between quasi-cartoonish shoot-outs and oddball humor, which ranges from droll to silly without ever going too far over the top." — Gary Dowell, The Dallas Morning News
The Dissenters
"I know terms like 'caring' and 'motivation' are probably quaint when discussing a movie of this type, but as long as we're being asked to spend nearly two hours rooting for these people to be better shots than the people shooting at them, is it too much to ask for a reason we should take their side? 'Red' simultaneously tries too hard and not hard enough: It keeps up a steady, frantic barrage of bullets, blood and wisecracks, but never manages to convince us that anyone involved — characters, actors, filmmakers or audience — is having any fun." — Dana Stevens, Slate
The Final Word
" 'Red' has more snappy joy in store than practically all of last summer's busted blockbusters, and it's as zippy on its feet as a third-grader. I look forward to a sequel in which, I hope, the 'Red' gang will school those humorless old dopes from 'The Expendables.' The losing team buys the winners dinner — at 4:30." — Kyle Smith, New York Post
Check out everything we've got on "Red."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
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Ush combined his legendary dance skills with spectacular special effects.
By Rochell D. Thomas
Usher performs at the 2010 VMAs
Photo: Kevin Mazur/ WireImage
Call it what you will: talent, swag, skills. But one thing's true about Usher Terry Raymond IV: When he steps on the dance floor, some mysterious thing comes out of him and puts the G in groove. After he was tapped to perform at the 27th annual MTV Video Music Awards, executive producer Dave Sirulnick challenged Usher to "show why you're king," and the 31-year-old Grammy winner didn't disappoint.
As predicted by the lucky few who got a peek at Thursday's practice performance for his hit "OMG," Ush pulled off moves that would make the late great Michael Jackson jealous in a mammoth stage production that included more special-effects bells and whistles than a summer blockbuster.
Usher opened the performance with "DJ Got Us Fallin' in Love," perched two flights above the stage on a ledge surrounded by blinding green laser lights. Then he slid, with the help of barely visible wires and mounts, down a flight, all the while popping and locking. When the father of two finally ticked his way down to stage level, he was surrounded by an army of dancers also clad in black suits with white stripes designed to toss and catch special effect lights.
Directed by Anthony Mandler, Usher's "OMG" clip earned Best Male Video, Best Dance Music Video and Best Choreography Moonman nominations. During the pre-show, Lady Gaga's "Bad Romance" beat it in the Best Dance category, where Raymond was, for many, the lead contender.
If Usher was disappointed, he didn't let it show. When he launched the "OMG" portion of his performance, the stage seemed to disappear, as red laser lights moved forward in blinding configurations spelling out O.M.G. and Usher's name. More dancers lowered from the ceiling on Cirque du Soleil-esque contraptions, dipping in and out of the red beams. Such a 3-D light display could probably have been seen from the moon, if it weren't for the roof of the Nokia Theatre.
Usher ended his set standing, head back, with his arms outstretched in the Jesus pose. He didn't say a word. Didn't need to.
The Moonmen have all been handed out and the stars have gone home, but there's plenty of 2010 MTV Video Music Awards news, interviews, behind-the-scenes scoop, party reports and more still to come, so keep it locked on MTVNews.com.
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'Joking about our differences breaks tension and brings us together,' actor says.
By Jocelyn Vena
Vince Vaughn
Photo: Mark Mainz/ Getty Images
After a "gay" joke was removed from the trailer for Vince Vaughn's upcoming Ron Howard-directed comedy "The Dilemma," the actor is responding to the outcry.
"Let me add my voice of support to the people outraged by the bullying and persecution of people for their differences, whatever those differences may be," the actor said in a statement to E! News, referring to the outcry spurred by the recent suicides of gay teens. "Comedy and joking about our differences breaks tension and brings us together. Drawing divided lines over what we can and cannot joke about does exactly that; it divides us. Most importantly, where does it stop?"
In the original trailer, Vaughn's character jokes in a boardroom, "Electric cars are gay. I mean, not 'homosexual' gay but 'my parents are chaperoning the dance' gay." Following criticism of the clip from CNN's Anderson Cooper, Ellen DeGeneres and GLAAD, the scene was cut and a new version of the trailer was released.
"The Dilemma," about a man (Vaughn) who learns his best friend's (Kevin James) wife (Winona Ryder) is having an affair (with Channing Tatum), will be released on January 14. There has been no word on whether or not the joke will be removed from the final cut.
"The teaser trailer for 'The Dilemma' was not intended to cause anyone discomfort," the studio said in a statement released last Friday (October 8). "In light of growing claims that the introduction to the trailer is insensitive, it is being replaced."
Check out everything we've got on "The Dilemma."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
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